Andrew Holmquist draws from popular culture and everyday life for his lush paintings and works on paper, which slip between representation and abstraction and stand as celebrations of painting itself. Holmquist fills his compositions with fat, gestural brushstrokes, geometric forms, drips, splatters, human figures, and passages of color. In his work, figuration dissolves into abstraction, and abstraction coalesces into recognizable imagery, a play on what he calls the “slippery” nature of paint, at once infinitely malleable and full of limitations.
