• Opening reception: Saturday, April 19, 5-8PM 
     

    SECRIST | BEACH is pleased to announce the exhibition Master Class: Inside the Last American Museum School with SAIC Painting Alumni. Master Class brings together artworks by more than 65 alums and current students who studied in the Painting and Drawing department of the School of the Art Institute of Chicago (SAIC) between the years 2000 and 2025. This exhibition, on view from April 19 through June 21, 2025 at SECRIST | BEACH in Chicago, is guest-curated by SAIC President Emerita Elissa Tenny and SAIC professor, chair of SAIC’s Painting and Drawing department, and art historian Lisa Wainwright.

     

    In 1866 a group of 35 artists founded the Chicago Academy of Design. Their mandate was to create a school to study “life” and “antique” drawing and to run a gallery space within the school. Though the original gallery space was lost in the Great Chicago fire of 1871, by 1879, a new school and gallery opened as the Chicago Academy of Fine Arts. In 1882, that name was changed to what we know as the Art Institute of Chicago. Since that time, the School and the Art Institute of Chicago have developed a generative dynamic that has greatly impacted the Chicago scene and the larger art world in myriad ways. 

     

    On the eve of its 160th anniversary, and little known to many, the School of the Art Institute of Chicago is now the only “museum school” in North America. In celebration of this achievement, Master Class dives into the close connection between the museum and the alums of its renowned Painting and Drawing department from the last 25 years. On view in the SECRIST | BEACH space will be an artwork by each of the artists selected. In addition to their own artwork, each artist has been asked to identify an artist and a work of theirs from the collection of the Art Institute of Chicago. Didactics and a video presentation on view in our salon room will guide viewers to those works in the collection.    

     

    Curating this exhibition has reminded us––and will express to viewers––the integral and generative link between the School and the museum, highlighting the long histories of public collections and art-making in Chicago.

     

    What becomes apparent in Master Class is the indelible impact these master artworks have provided for two and a half decades of art students. Contextually, placing these works into close (virtual) proximities allows the viewer to comprehend the role a museum has in the cognitive and technical development of artists. Ultimately, the engaging pairings provide insight into the role of looking, sensorial consciousness, historical mapping, institutional awareness and other more surprising  discoveries. This exhibition serves as a tangible experience for anyone interested in art history and pedagogy.

  • Featured artists:
    Lindsay Adams, Noelle Africh, Luke Agada, Alberto Aguilar, Latifa Alajlan, Cecilia Beaven, Aviv Benn, Samantha Bittman, Elijah Burgher, Robert Burnier, Nik Cho, Alex Bradley Cohen, Jeane Cohen, Paula Crown, Chelsea Culprit, Tavin Davis, Dana DeGiulio, Austin Eddy, Stephen Eichhorn, Peter Fagundo, Nicola Florimbi, Howard Fonda, Jae Ford, Jonathan Gardner, Magalie Guérin, Antonia Gurkovska, Efrat Hakimi, Andrew Holmquist, Mika Horibuchi, Patrick Dean Hubbell, Steven Husby, Omair Hussain, G.D. Johnson, James Kao, Em Kettner, Minami Kobayashi, Meredith Kopelman, David Leggett, Tony Lewis, MJ Lounsberry, Wangari Mathenge, Kristoffer McAfee, Rodney McMillian, Isabella Mellado, Emily Miller, Jeffly Gabriela Molina, Aliza Nisenbaum, Angel Otero, Ruth Poor, Kaveri Raina, Pedro Trueba Ramírez, Autumn Ramsey, Celeste Rapone, Josh Reames, Clare Rojas, Sterling Ruby, Charlotte Saylor, Claire Sherman, Sumakshi Singh, Cameron Spratley, Keer Tanchak, Sebastian Thomas, Alice Tippit, Orkideh Torabi, Cody Tumblin, Omar Velázquez, Jonathan Worcester, Hiejin Yoo, and Molly Zuckerman-Hartung. 
  • Catalogue:
    In recognition of the importance of this monumental exhibition, SECRIST | BEACH is developing a comprehensive catalogue that will provide valuable insight regarding Master Class. Many participating artists have provided their own writing in which they expound on their experience as a student, their relationship with SAIC and why the master artwork they chose was impactful. A cadre of art historians, critics and academics connected to SAIC will also be contributing essays that focus on  individual artists and their inspiration. Additionally, co-curator of Master Class Lisa Wainwright and artist and SAIC Crown Family Professor in Painting and Drawing Michelle Grabner will contribute introductory essays diving into the history of the  relationship between the School and the museum, and the placement of 25 years of production in the context of contemporary art.
    • Noelle Africh Amnesia, 2024 Distemper on linen over panel 18 x 13 inches
      Noelle Africh
      Amnesia, 2024
      Distemper on linen over panel
      18 x 13 inches
    • Noelle Africh Blinder, 2024 Distemper on linen over panel 14 x 11 inches
      Noelle Africh
      Blinder, 2024
      Distemper on linen over panel
      14 x 11 inches
    • Noelle Africh Broken Signal, 2025 Distemper on linen over panel 11 x 14 inches
      Noelle Africh
      Broken Signal, 2025
      Distemper on linen over panel
      11 x 14 inches
    • Noelle Africh Cleft, 2024 Distemper on linen over panel 14 x 11 inches
      Noelle Africh
      Cleft, 2024
      Distemper on linen over panel
      14 x 11 inches
    • Noelle Africh Cruciform, 2024 Distemper on linen over panel 10 x 8 inches
      Noelle Africh
      Cruciform, 2024
      Distemper on linen over panel
      10 x 8 inches
    • Noelle Africh Flood, 2024 Distemper on linen 23.5 x 19 inches
      Noelle Africh
      Flood, 2024
      Distemper on linen
      23.5 x 19 inches
    • Noelle Africh Hindsight, 2025 Distemper on linen over panel 20 x 16 inches
      Noelle Africh
      Hindsight, 2025
      Distemper on linen over panel
      20 x 16 inches
    • Noelle Africh Loomer, 2023 Distemper on linen over panel 20 x 16 inches
      Noelle Africh
      Loomer, 2023
      Distemper on linen over panel
      20 x 16 inches
    • Noelle Africh Not Yet, 2024 Distemper on linen over panel 12 x 9 inches
      Noelle Africh
      Not Yet, 2024
      Distemper on linen over panel
      12 x 9 inches
    • Noelle Africh Reliquary, 2023 Distemper on linen 20 x 14 inches
      Noelle Africh
      Reliquary, 2023
      Distemper on linen
      20 x 14 inches
    • Noelle Africh Sender, 2023 Distemper on panel 12 x 16 inches
      Noelle Africh
      Sender, 2023
      Distemper on panel
      12 x 16 inches
    • Noelle Africh Snare, 2025 Distemper on linen over panel 13 x 18 inches
      Noelle Africh
      Snare, 2025
      Distemper on linen over panel
      13 x 18 inches
    • Noelle Africh Worm in the Bud, 2024 Distemper on linen over panel 9 x 12 inches
      Noelle Africh
      Worm in the Bud, 2024
      Distemper on linen over panel
      9 x 12 inches
  • Artist's selection from the Art Institute of Chicago collection:

    Luc Tuymans

    Angel, 1992

    Oil on linen

    24 1/8 × 25 7/8 inches

    View work 

  • Luke Agada, Unstill Life (Elegy in Blue), 2025

    Luke Agada

    Unstill Life (Elegy in Blue), 2025
    Oil on canvas
    48 x 48 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Arshile Gorky

    The Plough and the Song, 1946

    Oil on canvas
    51.75 × 61.5 inches

  • Alberto Aguilar, Blue, Rojo, White, Negro, Yellow, Blanco and Azul, 2025

    Alberto Aguilar

    Blue, Rojo, White, Negro, Yellow, Blanco and Azul, 2025

     

  • Artist's selection from the Art Institute of Chicago's collection:

    Ellsworth Kelly

    Red Yellow Blue White and Black II, 1953
    Oil on canvas; 7 joined panels
    39 × 138 inches
  • Latifa Alajlan, What the Wind Left Behind - ما تركه الريح, 2025

    Latifa Alajlan

    What the Wind Left Behind - ما تركه الريح, 2025
    Oil, acrylic and graphite on linen
    40 x 30 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Joan Mitchell

    City Landscape, 1955
    Oil on linen
    80 × 80 inches
  • Aviv Benn, Glass Upon, 2024

    Aviv Benn

    Glass Upon, 2024
    Oil on canvas
    24 x 26 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Charline von Heyl

    Interventionist Demonstration (Why-A-Duck?), 2013
    Acrylic and spray paint on linen
    83.15 × 194.5 inches
  • Samantha Bittman, Untitled, 2020

    Samantha Bittman

    Untitled, 2020

     

  • Artist's selection from the Art Institute of Chicago's collection:

    Sol LeWitt

    Wall Drawing #118: 50 randomly placed points connected by straight lines, 1971
    Black pencil
    Dimensions variable
  • Nik Cho, Be Yourself No Matter What They Say, 2024

    Nik Cho

    Be Yourself No Matter What They Say, 2024
    Acrylic on canvas
    96 x 144 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    David Hockney

    American Collectors (Fred and Marcia Weisman), 1968

    Acrylic on canvas

    84 × 120 inches

    View work

  • Alex Bradley Cohen, Library #1, 2025

    Alex Bradley Cohen

    Library #1, 2025
     
  • Artist's selection from the Art Institute of Chicago's collection:

    Jacob Lawrence

    The Wedding, 1948

    Egg tempera on hardboard

    20 × 24 inches

    View work 

  • Jeane Cohen, Rose Garden, 2022

    Jeane Cohen

    Rose Garden, 2022
    Oil on canvas
    18 x 18 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Joan Mitchell

    City Landscape, 1955

    Oil on linen

    80 × 80 inches

    View work

     

  • Paula Crown, Where Does Time Go?, 2016

    Paula Crown

    Where Does Time Go?, 2016
    Acrylic, tape and vinyl letters on linen
    60 x 60 x 2.5 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    René Magritte

    The Tune and Also the Words, 1964

    Gouache over traces of graphite on cream wove paper

    15 × 21.5 inches

    View Work

    • Tavin Davis Day 68: Good Company, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 68: Good Company, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 83: Stone Cold, 2025 Oil and wax on panel 8 x 10 inches
      Tavin Davis
      Day 83: Stone Cold, 2025
      Oil and wax on panel
      8 x 10 inches
    • Tavin Davis Day 71: Everything I've Ever Said, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 71: Everything I've Ever Said, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 70: November's Actually Pretty Good, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 70: November's Actually Pretty Good, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 67: The Painting Fell Into My Palette, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 67: The Painting Fell Into My Palette, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 85: Care Free and Brain Dead, 2025 Oil and wax on panel 8 x 10 inches
      Tavin Davis
      Day 85: Care Free and Brain Dead, 2025
      Oil and wax on panel
      8 x 10 inches
    • Tavin Davis Day 75: Bite Me (In Iridescent Blue), 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 75: Bite Me (In Iridescent Blue), 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 49: Every Hour is Happy Hour, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 49: Every Hour is Happy Hour, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 74: Christmas, Texas, Alexander Beetle, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 74: Christmas, Texas, Alexander Beetle, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 53: Not Nature, Not Illustration, Not Picturing, Not Culture, Not Observation, Not Memory, Not Fiction, and Certainly Not Ironic, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 53: Not Nature, Not Illustration, Not Picturing, Not Culture, Not Observation, Not Memory, Not Fiction, and Certainly Not Ironic, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 64: The Worst October (Reflecting on the war in Gaza), 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 64: The Worst October (Reflecting on the war in Gaza), 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 72: Visitor Center, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 72: Visitor Center, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 73: The Big Rock Candy Mountains, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 73: The Big Rock Candy Mountains, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 69: Laughing with a Stupid Face, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 69: Laughing with a Stupid Face, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 82: Behind the Sky, 2025 Oil and wax on panel 8 x 10 inches
      Tavin Davis
      Day 82: Behind the Sky, 2025
      Oil and wax on panel
      8 x 10 inches
    • Tavin Davis Day 48: A Good Noon, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 48: A Good Noon, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 51: Birds in My Cell, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 51: Birds in My Cell, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 52: The Days are Begging to Blend Together, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 52: The Days are Begging to Blend Together, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 55: That Time Again Forever, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 55: That Time Again Forever, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 56: Ther and Dirtier (It Fell in the Dirt), 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 56: Ther and Dirtier (It Fell in the Dirt), 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 58: Super Sky and a Bush, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 58: Super Sky and a Bush, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 59: A Vertical Shadow at Noon, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 59: A Vertical Shadow at Noon, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 60: My Days, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 60: My Days, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 63: My 30th October, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 63: My 30th October, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 66: Green, Blue, and a Boulder, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 66: Green, Blue, and a Boulder, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 76: One Palette Knife and a Stupid Sequencing of Color, 2024 Oil on panel 8 x 10 inches
      Tavin Davis
      Day 76: One Palette Knife and a Stupid Sequencing of Color, 2024
      Oil on panel
      8 x 10 inches
    • Tavin Davis Day 78: Total Beater, 2025 Oil and wax on panel 8 x 10 inches
      Tavin Davis
      Day 78: Total Beater, 2025
      Oil and wax on panel
      8 x 10 inches
    • Tavin Davis Day 79: Easy Going, 2025 Oil and wax on panel 8 x 10 inches
      Tavin Davis
      Day 79: Easy Going, 2025
      Oil and wax on panel
      8 x 10 inches
    • Tavin Davis Day 80: Insider, 2025 Oil and wax on panel 8 x 10 inches
      Tavin Davis
      Day 80: Insider, 2025
      Oil and wax on panel
      8 x 10 inches
    • Tavin Davis Day 84: Serious Shit, 2025 Oil and wax on panel 8 x 10 inches
      Tavin Davis
      Day 84: Serious Shit, 2025
      Oil and wax on panel
      8 x 10 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Georgia O’Keeffe

    The Black Place, 1943
    Oil on canvas
    20 × 36 inches
    • Dana DeGiulio Lemons on a pewter plate, 2024 Oil on MDF 16 x 12 x 0.375 inches
      Dana DeGiulio
      Lemons on a pewter plate, 2024
      Oil on MDF
      16 x 12 x 0.375 inches
    • Dana DeGiulio There's no place like home, 2025 Oil on canvas 14 x 11 x 0.75 inches
      Dana DeGiulio
      There's no place like home, 2025
      Oil on canvas
      14 x 11 x 0.75 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Man Ray

    Percolator, 1917

    Oil on board

    16 x 12 inches

    View work

    • Austin Eddy Peacock of Holland Park, 2022 Cast bronze 28 x 9 x 6.5 inches
      Austin Eddy
      Peacock of Holland Park, 2022
      Cast bronze
      28 x 9 x 6.5 inches
    • Austin Eddy Full Moon, A Summer by the Sea, 2022-2023 Oil and paper on canvas 48 x 30 inches
      Austin Eddy
      Full Moon, A Summer by the Sea, 2022-2023
      Oil and paper on canvas
      48 x 30 inches
    • Austin Eddy Ode To A Nightingale, 2022 Cast bronze 23 x 14 x 6.5 inches
      Austin Eddy
      Ode To A Nightingale, 2022
      Cast bronze
      23 x 14 x 6.5 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Georgia O'Keeffe

    Sky above Clouds IV, 1965
    Oil on canvas
    96 × 288 inches
  • Stephen Eichhorn, Aloe Agave Aloe Bloom, 2025

    Stephen Eichhorn

    Aloe Agave Aloe Bloom, 2025
    Collage and vinyl on archival paper mounted to mat board
    23 x 61.5 inches, framed
  • Artist's selection from the Art Institute of Chicago's collection:

    John Pfahl

    Shed with Blue Dotted-Lines, Penland, North Carolina, 1975

    Dye imbibition print, from the portfolio "Altered Landscapes: The Photographs of John Pfahl," (1981)

    Image: 7.75 × 10 inches; Paper: 8.5 x 11 inches

    View work

  • Peter Fagundo, Bone Machine, 2024

    Peter Fagundo

    Bone Machine, 2024
    Oil on canvas
    60 x 48 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Henri Matisse

    Bathers by a River, 1909–1917
    Oil on canvas
    102.5 × 154.25 inches

     

  • Howard Fonda, Untitled (chrysanthemum, ming vase, Leaves of Grass, Diné blanket, colonial table, Peche wallpaper, Manet, and Bouts), 2024

    Howard Fonda

    Untitled (chrysanthemum, ming vase, Leaves of Grass, Diné blanket, colonial table, Peche wallpaper, Manet, and Bouts), 2024
    Oil on canvas
    51 x 43 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Dagobert Peche


    Made 1910–1920

    Ink, on paper; screen printed

    7.5 × 19.75 inches

  • Jae Ford, Two Streams, 2024-2025

    Jae Ford

    Two Streams, 2024-2025
    Painted steel, resin
    66 x 40 x 24 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    John McCracken

    Red Plank, 1969

    Wood, fiberglass ad lacquer

    96 x 22 x 3.15 inches

    View work

  • Jonathan Gardner, Imaginary Nude, 2024

    Jonathan Gardner

    Imaginary Nude, 2024
    Gouache on paper
    14 x 10.25 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Jim Nutt

    Sally Slips Bye-Bye, 1972
    Acrylic on canvas
    42 × 31.15 inches
  • Magalie Guérin, Untitled (Gabriele), 2025

    Magalie Guérin

    Untitled (Gabriele), 2025
    Oil on canvas
    45 x 36 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Gabriele Münter

    Still Life with Queen, 1912

    Oil on canvas

    30.75 × 22.5 inches

    View work

    • Antonia Gurkovska Closed Circuit (6), 2024-2025 Acrylic, oil, spray paint, enamel and collage on board 14 x 11 inches
      Antonia Gurkovska
      Closed Circuit (6), 2024-2025
      Acrylic, oil, spray paint, enamel and collage on board
      14 x 11 inches
    • Antonia Gurkovska Closed Circuit (4), 2024-2025 Acrylic, oil, spray paint, enamel and collage on board 14 x 11 inches
      Antonia Gurkovska
      Closed Circuit (4), 2024-2025
      Acrylic, oil, spray paint, enamel and collage on board
      14 x 11 inches
    • Antonia Gurkovska Closed Circuit (8), 2024-2025 Acrylic, oil, spray paint, enamel and collage on board 14 x 11 inches
      Antonia Gurkovska
      Closed Circuit (8), 2024-2025
      Acrylic, oil, spray paint, enamel and collage on board
      14 x 11 inches
    • Antonia Gurkovska Closed Circuit (2), 2024-2025 Acrylic, oil, spray paint, enamel and collage on board 14 x 11 inches
      Antonia Gurkovska
      Closed Circuit (2), 2024-2025
      Acrylic, oil, spray paint, enamel and collage on board
      14 x 11 inches
    • Antonia Gurkovska Closed Circuit (3), 2024-2025 Acrylic, oil, spray paint, enamel and collage on board 14 x 11 inches
      Antonia Gurkovska
      Closed Circuit (3), 2024-2025
      Acrylic, oil, spray paint, enamel and collage on board
      14 x 11 inches
    • Antonia Gurkovska Closed Circuit (1), 2024-2025 Acrylic, oil, spray paint, enamel and collage on board 14 x 11 inches
      Antonia Gurkovska
      Closed Circuit (1), 2024-2025
      Acrylic, oil, spray paint, enamel and collage on board
      14 x 11 inches
    • Antonia Gurkovska Closed Circuit (5), 2024-2025 Acrylic, oil, spray paint, enamel and collage on board 14 x 11 inches
      Antonia Gurkovska
      Closed Circuit (5), 2024-2025
      Acrylic, oil, spray paint, enamel and collage on board
      14 x 11 inches
    • Antonia Gurkovska Closed Circuit (7), 2024-2025 Acrylic, oil, spray paint, enamel and collage on board 14 x 11 inches
      Antonia Gurkovska
      Closed Circuit (7), 2024-2025
      Acrylic, oil, spray paint, enamel and collage on board
      14 x 11 inches
    • Antonia Gurkovska Closed Circuit (9), 2024-2025 Acrylic, oil, spray paint, enamel and collage on board 14 x 11 inches
      Antonia Gurkovska
      Closed Circuit (9), 2024-2025
      Acrylic, oil, spray paint, enamel and collage on board
      14 x 11 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Robert Rauscenberg

    Short Circut, 1955

    Oil, fabric, notebook paper, postcard, printed reproductions, concert program, and autograph on canvas, wood supports, and cabinets with paintings by Susan Weil and Elaine Sturtevant

    41.5 × 38.25 × 4.5 inches

    View work

  • Measure Up, 2024
  • Andrew Holmquist, Ocean Bathers, 2025

    Andrew Holmquist

    Ocean Bathers, 2025
    Oil on canvas
    22 x 30 inches
  • Artist's selection from the Art Institute of Chicago's collection: 

    Henri Matisse 

    Bathers by a River, 1909–1917 
    Oil on canvas 
    102.5 × 154.25 inches 

     

  • Steven Husby, Untitled, 2025

    Steven Husby

    Untitled, 2025
    Acrylic on unprimed canvas
    76.5 x 20.75 inches, inner
    87 x 61.75 inches, full
  • Artist's selection from the Art Institute of Chicago's collection:

    Frank Stella

    De la nada vida la nada muerte, 1965

    Metallic powder in polymer emulsion on canvas

    81 × 293 inches

    View work

    • Omair Hussain Untitled, 2024 Acrylic gouache on panel 12 x 9 inches
      Omair Hussain
      Untitled, 2024
      Acrylic gouache on panel
      12 x 9 inches
    • Omair Hussain Untitled, 2024 Acrylic gouache on panel 11 x 14 inches
      Omair Hussain
      Untitled, 2024
      Acrylic gouache on panel
      11 x 14 inches
    • Omair Hussain Untitled, 2024 Acrylic gouache on panel 12 x 12 inches
      Omair Hussain
      Untitled, 2024
      Acrylic gouache on panel
      12 x 12 inches
    • Omair Hussain Untitled, 2024 Acrylic gouache on panel 10 x 8 inches
      Omair Hussain
      Untitled, 2024
      Acrylic gouache on panel
      10 x 8 inches
    • Omair Hussain Untitled, 2024 Acrylic gouache on panel 9 x 12 inches
      Omair Hussain
      Untitled, 2024
      Acrylic gouache on panel
      9 x 12 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Jackson Pollock

    The Key, 1946
    Oil on linen
    59 × 82 inches
  • G.D. Johnson, There is a buzzing/my foot feels strange, 2025

    G.D. Johnson

    There is a buzzing/my foot feels strange, 2025
    Acrylic, graphite, charcoal and metallic paper
    38 x 24 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Morris Kantor

    Haunted House, 1930
    Oil on canvas
    37 x 33.25 inches
  • Minami Kobayashi, In a room on a high floor, 2024

    Minami Kobayashi

    In a room on a high floor, 2024
    Oil on canvas
    70.875 x 51.125 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Pierre Bonnard

    Earthly Paradise, 1916-1920
    Oil on canvas
    51.25 x 63 inches
  • David Leggett, A hard head makes a soft ..., 2025

    David Leggett

    A hard head makes a soft ..., 2025
    Acrylic, collage, felt, and spray paint on paper mounted on canvas
    50 x 40 x 1.5 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Kerry James Marshall

    Many Mansions, 1994
    Acrylic on paper mounted on canvas
    114 × 135 inches
  • Tony Lewis, Thing, 2023

    Tony Lewis

    Thing, 2023
    Graphite, pencil, and colored pencil on paper
    72.5 x 97 inches
    75.5 x 100.5 x 1 inches, framed
  • Artist's selection from the Art Institute of Chicago's collection:

    Stuart Davis

    Ready-to-Wear, 1955

    Oil on canvas

    56 × 42 inches

    View work

  • MJ Lounsberry, Springtime in Love, 2025

    MJ Lounsberry

    Springtime in Love, 2025
    Oil on canvas
    16 x 20 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Henri Matisse

    Poésies, Published 1932

    Book with letterpress in black and red and 29 etchings in black on cream wove Japanese vellum, bound in brown leather and brown paperboard cover with gold stamped spine

    Closed: 13.5 × 10.25 × 1.5 inches
  • Wangari Mathenge, Our Time, 2024

    Wangari Mathenge

    Our Time, 2024
    Oil on canvas
    26 x 29 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Edward Hopper

    Nighthawks, 1942

    Oil on canvas

    33.15 x 60 inches

    View work

  • Kristoffer McAfee, 1960 Time Capsule, 2025

    Kristoffer McAfee

    1960 Time Capsule, 2025
    Acrylic paint, gold leaf, hand cut illustration board
    35 x 60 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Thomas Frederick Arndt

    Two Sailors in a Parade, 1987
    Gelatin silver print, Edition 2 of 15
    Image: 8.25 × 12.25 inches; Paper: 11 × 14 inches
  • Emily Miller, The Eggshell Armada, 2025

    Emily Miller

    The Eggshell Armada, 2025
    Ostrich egg tempera on birch plywood
    72 x 96 inches
    • Emily Miller A Sunlit Absence 1, 2025 Ostrich egg tempera on ostrich eggshell 3.5 x 5 inches
      Emily Miller
      A Sunlit Absence 1, 2025
      Ostrich egg tempera on ostrich eggshell
      3.5 x 5 inches
    • Emily Miller A Sunlit Absence 2, 2025 Hand-carved ostrich eggshell with painted chicken eggshells 2 x 5 inches
      Emily Miller
      A Sunlit Absence 2, 2025
      Hand-carved ostrich eggshell with painted chicken eggshells
      2 x 5 inches
    • Emily Miller A Sunlit Absence 3, 2025 Ostrich egg tempera on hand-carved ostrich eggshell 4.5 x 5 inches
      Emily Miller
      A Sunlit Absence 3, 2025
      Ostrich egg tempera on hand-carved ostrich eggshell
      4.5 x 5 inches
    • Emily Miller A Sunlit Absence 4, 2025 Hand-carved ostrich eggshell with painted chicken eggshells 3 x 5 inches
      Emily Miller
      A Sunlit Absence 4, 2025
      Hand-carved ostrich eggshell with painted chicken eggshells
      3 x 5 inches
    • Emily Miller A Sunlit Absence 5, 2025 Ostrich egg tempera on hand-carved ostrich eggshell 2.5 x 4 inches
      Emily Miller
      A Sunlit Absence 5, 2025
      Ostrich egg tempera on hand-carved ostrich eggshell
      2.5 x 4 inches
    • Emily Miller A Sunlit Absence 6, 2025 Hand-carved ostrich eggshell with painted chicken eggshells 3 x 5 inches
      Emily Miller
      A Sunlit Absence 6, 2025
      Hand-carved ostrich eggshell with painted chicken eggshells
      3 x 5 inches
    • Emily Miller A Sunlit Absence 7, 2025 Ostrich egg tempera on hand-carved ostrich eggshell 3 x 5 inches
      Emily Miller
      A Sunlit Absence 7, 2025
      Ostrich egg tempera on hand-carved ostrich eggshell
      3 x 5 inches
    • Emily Miller A Sunlit Absence 8, 2025 Hand-carved ostrich eggshell with painted chicken eggshells 2.5 x 4 inches
      Emily Miller
      A Sunlit Absence 8, 2025
      Hand-carved ostrich eggshell with painted chicken eggshells
      2.5 x 4 inches
    • Emily Miller A Sunlit Absence 9, 2025 Ostrich egg tempera on hand-carved ostrich eggshell 4 x 5 inches
      Emily Miller
      A Sunlit Absence 9, 2025
      Ostrich egg tempera on hand-carved ostrich eggshell
      4 x 5 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Remedios Varo

    Still Life Reviving (Naturaleza muerta resucitando), 1963
    Oil on canvas
    43.25 × 31.5 inches
  • Jeffly Gabriela Molina, Feelings, 2023

    Jeffly Gabriela Molina

    Feelings, 2023
    Oil on linen
    64 x 50 x 2 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Agnes Martin

    Untitled 12, 1977
    India ink, graphite, and gesso on canvas
    72 x 72 inches
  • Aliza Nisenbaum, Marisol's Nighttime Porch, 2024

    Aliza Nisenbaum

    Marisol's Nighttime Porch, 2024
    Oil on linen
    73 x 63 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Rufino Tamayo

    Woman with a Bird Cage, 1941

    Oil on canvas

    43.25 × 33 inches

    View work

  • Angel Otero, Traveling, 2025

    Angel Otero

    Traveling, 2025
    Oil paint and fabric collaged on paper
    32 x 48 inches
    35.375 x 51.625 x 2 inches, framed
  • Artist's selection from the Art Institute of Chicago's collection:

    Willem de Kooning

    Excavation, 1950
    Oil on canvas
    81 × 100.25 inches
  • Kaveri Raina, Vortex to Hover II, 2019

    Kaveri Raina

    Vortex to Hover II, 2019
    Acrylic, graphite, burlap
    30 x 24 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Joan Miro

    The Policemen, 1925

    Oil on canvas

    97.5 × 76.75 inches

    View work

    • Pedro Trueba Ramírez Ya se hizo tarde, 2024 Oil and acrylic on canvas 30 x 66 inches (Diptych)
      Pedro Trueba Ramírez
      Ya se hizo tarde, 2024
      Oil and acrylic on canvas
      30 x 66 inches (Diptych)
    • Pedro Trueba Ramírez Sentado aquí, 2024 Double-cloth weaving 17 x 37 inches
      Pedro Trueba Ramírez
      Sentado aquí, 2024
      Double-cloth weaving
      17 x 37 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Ludwig Mies van der Rohe

    Barcelona Chair (model MR 90), Designed 1929; made 1957
    Chrome-plated steel and leather
    30 × 29.25 × 30 inches
  • Autumn Ramsey, Untitled, 2013

    Autumn Ramsey

    Untitled, 2013
    Oil on canvas
    24 x 20 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Tsugouharu Foujita

    Head of a Woman, 1926

    Pen and black ink on ivory Japanese paper

    10.4 × 7.5 inches

    View work

  • Celeste Rapone, Outsider, 2024

    Celeste Rapone

    Outsider, 2024
    Oil on canvas
    28 x 26 inches
  • Artist's selection from the Art Institute of Chicago's collection: 

    Gertrude Abercrombie

    Self-Portrait of My Sister, 1941

    Oil on canvas

    27 × 22 inches

    View work

  • Josh Reames, Under the Bright Light, 2022

    Josh Reames

    Under the Bright Light, 2022
    Acrylic/celluclay on canvas
    78 x 66 inches
  • Artist's selection from the Art Institute of Chicago's collection: 

    Bruce Nauman

    Clown Torture, 1987

    Four-channel video installation with 2 projections and 4 monitors, color, sound; approx. one hour

    View work

  • Sterling Ruby, DR (6493), 2017

    Sterling Ruby

    DR (6493), 2017
    Pen on paper
    8.125 x 5.125 inches
    19.375 x 16.375 x 1.5 inches, framed
  • Artist's selection from the Art Institute of Chicago's collection:

    Ivan Albright

    Into the World There Came a Soul Called Ida, 1929–1930
    Oil on canvas
    56.25 × 47 inches
  • Claire Sherman, Moss and Branches, 2018

    Claire Sherman

    Moss and Branches, 2018
    Oil on canvas
    72 x 60 x 2 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    George Inness

    Afterglow, 1893

    Oil on canvas

    30.15 × 25.25 inches

    • Sumakshi Singh Support Structure 1, 2024 Copper Zari 115 x 24 inches each
      Sumakshi Singh
      Support Structure 1, 2024
      Copper Zari
      115 x 24 inches each
    • Sumakshi Singh Support Structure 2, 2024 Copper Zari 120 x 24 inches each, approximately
      Sumakshi Singh
      Support Structure 2, 2024
      Copper Zari
      120 x 24 inches each, approximately
    • Sumakshi Singh Support Structure 3, 2024 Copper Zari 120 x 24 inches each, approximately
      Sumakshi Singh
      Support Structure 3, 2024
      Copper Zari
      120 x 24 inches each, approximately
    • Sumakshi Singh Support Structure 4, 2024 Copper Zari 96 x 24 inches
      Sumakshi Singh
      Support Structure 4, 2024
      Copper Zari
      96 x 24 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Tadao Ando

    Ando Room, designed 1992

    Commissioned gallery at the Art Institute of Chicago

     
  • Cameron Spratley, Dust2dusT, 2021

    Cameron Spratley

    Dust2dusT, 2021
    Acrylic, flashe, oil, aluminum, foamcore, inkjet prints, grease marker, cut paper, and colored pencil on canvas
    78 x 62 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    David Hammons

    Phat Free, 1995-99

    Single-channel video, color, sound; 5 min. 20 sec.

    unnumbered from an edition of 25, plus 3 artist’s proofs

    View work

    • Keer Tanchak Celery brick, 2024 Oil on aluminum 9.5 x 13 inches
      Keer Tanchak
      Celery brick, 2024
      Oil on aluminum
      9.5 x 13 inches
    • Keer Tanchak Ugo's Deck, 2024 Oil on aluminum 20.5 x 18.25 inches
      Keer Tanchak
      Ugo's Deck, 2024
      Oil on aluminum
      20.5 x 18.25 inches
    • Keer Tanchak Yellow Bird, 2024 Oil on aluminum 17.5 x 15 inches
      Keer Tanchak
      Yellow Bird, 2024
      Oil on aluminum
      17.5 x 15 inches
  • Alice Tippit, Stone, 2023

    Alice Tippit

    Stone, 2023
    Oil on canvas
    13 x 10 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Francis Picabia

    Untitled (Match-Woman I), 1920

    Oil on canvas with wooden matchsticks, hairpins, coins, leather hair rollers, and string

    36.25 × 28.85 inches

    View work

  • Cody Tumblin, Sun, 2025

    Cody Tumblin

    Sun, 2025
    Oil, acrylic, pigment and oil pastel on canvas collage
    18 x 24 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Bob Thompson

    The Descension, 1961

    Oil on canvas
    8.6 × 13 inches

    View work

  • Omar Velázquez, ocaso, 2024

    Omar Velázquez

    ocaso, 2024
    Oil and acrylic on canvas
    72 x 72 inches
  • Artist's selection from the Art Institute of Chicago's collection: 

    Georgia O’Keeffe

    Black Rock with Blue Sky and White Clouds, 1972

    Oil on canvas

    36 × 30.5 inches

    View work

  • Jonathan Worcester, Ogive, 2024

    Jonathan Worcester

    Ogive, 2024
    Acrylic on panel
    117.75 x 46 x 3 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Jack Whitten

    Khee II, 1978

    Acrylic on canvas

    72 × 84 inches

    View work

  • Hiejin Yoo, Building a nest, 2025

    Hiejin Yoo

    Building a nest, 2025
    Pigment and oil on linen
    11 x 9 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Alex Katz

    Yellow House 2, 2001

    Oil on linen

    120 × 120 inches

    View work

  • Molly Zuckerman-Hartung, One Lives Several Lifetimes in the Space of an Hour, 2025

    Molly Zuckerman-Hartung

    One Lives Several Lifetimes in the Space of an Hour, 2025
    Ink, dye, spray paint, silkscreen and oil paint frottage on various textiles synthetic and organic, sewn
    77 x 58 inches
  • Artist's selection from the Art Institute of Chicago's collection:

    Henri Matisse

    Woman before an Aquarium, 1921-23

    Oil on canvas

    32 × 39.5 in

    View work